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OK, not everyone can be the Bard. Still, some diverge more widely of the mark than others. I recently ran across a pair of works that....well, you judge.
Both are writ by one "Martin Tyrsegg" and are online. (Google the titles---a lot of sites are fresh blocked where I live.)
The first is "Return to Whidbey" where Robert Jay Matthews (he of "Die Brueder Schweigen" slain by the FBI in '84) finds himself reincarnated as a Seattle used book shop owner on the eve of the Fentnyl Floyd riots in 2020. But s*** happens and he's off on a more or less round the world quest for some damned thing or other. (Sorry no spoliers here.) Rene Guenon plays Tonto to his Kemosabe, as a Sufi Muslim taxi-driver
The other is "Things Found, Things Change." In this one---a tangential continuation of the first---Hitler hisself is reincarnated in today's Vienna working as a private eye. His nemesis, of sorts, is a Ludwig Wittgenstein turned trans nightclub owner. Eugene of Savoy, Fischer von Ehrlach, and Mozart's father Leopold all turn in cameos as helpful ghosts helping the down-at-the-heels Fuehrer seek a ritual child-killer.
Premises' tenability aside, both offer reasonably interesting occult ambiance and events.
Both are writ by one "Martin Tyrsegg" and are online. (Google the titles---a lot of sites are fresh blocked where I live.)
The first is "Return to Whidbey" where Robert Jay Matthews (he of "Die Brueder Schweigen" slain by the FBI in '84) finds himself reincarnated as a Seattle used book shop owner on the eve of the Fentnyl Floyd riots in 2020. But s*** happens and he's off on a more or less round the world quest for some damned thing or other. (Sorry no spoliers here.) Rene Guenon plays Tonto to his Kemosabe, as a Sufi Muslim taxi-driver
The other is "Things Found, Things Change." In this one---a tangential continuation of the first---Hitler hisself is reincarnated in today's Vienna working as a private eye. His nemesis, of sorts, is a Ludwig Wittgenstein turned trans nightclub owner. Eugene of Savoy, Fischer von Ehrlach, and Mozart's father Leopold all turn in cameos as helpful ghosts helping the down-at-the-heels Fuehrer seek a ritual child-killer.
Premises' tenability aside, both offer reasonably interesting occult ambiance and events.