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- Jan 16, 2026
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I’ve been going through some of my older notes recently and the Thue–Morse sequence came up again. I’m not looking at it academically — more from the angle of how it behaves when you drop it into a working (timing, repetition patterns, sigils, that kind of thing).
I’ve tried it a few times over the years, mostly in work where you want to interrupt or flatten the emotional/energetic swing. It didn’t feel like Fibonacci or any of the growth-based sequences. It acted more like… forcing the field into a kind of neutral plateau. Hard to describe, but the effect was definitely different.
Before I go deeper with it, I’m just wondering if anyone else here has actually used it in practice.
Not theory — I ve read the theory — I’m asking about real-world use:
Did it help? Interfere? Do nothing?
Did you use it for pacing, trance, bindings, anything like that?
Curious if anyone else ever bothered testing it.
Thanks
I’ve tried it a few times over the years, mostly in work where you want to interrupt or flatten the emotional/energetic swing. It didn’t feel like Fibonacci or any of the growth-based sequences. It acted more like… forcing the field into a kind of neutral plateau. Hard to describe, but the effect was definitely different.
Before I go deeper with it, I’m just wondering if anyone else here has actually used it in practice.
Not theory — I ve read the theory — I’m asking about real-world use:
Did it help? Interfere? Do nothing?
Did you use it for pacing, trance, bindings, anything like that?
Curious if anyone else ever bothered testing it.
Thanks