Where do you perform your evocations?

[The God-King]

To be honest TGK, Adley has helped me alot through personal consulations, i asked Adley about him, he feels he is a "red flag". I have seen his website and shop, that is why i asked Adley. But at the end of the day i don't know if Ninevah is even a magician or just wanting to scam people, or even a real magician who works with djinns. That is what i know.

Thanks! I only know of him from one or two books I read a few years back. Thanks for the insight

 

[William66]

Thanks! I only know of him from one or two books I read a few years back. Thanks for the insight

No problem.
May i ask have you ever worked with Bune? If so are you willing to share with us?

 

[The God-King]

No problem.
May i ask have you ever worked with Bune? If so are you willing to share with us?

Yes I've worked with Bune. Mainly as a psychopomp for work with the dead. What would you like to know?

 

[William66]

Yes I've worked with Bune. Mainly as a psychopomp for work with the dead. What would you like to know?

I would like to know more about his otherside than necromancy. He has 2 sigils right? A guy said the sigil with the head and eye is more the ncromancy side of Bune and the other one representing more money matter something in that line. I asked Bune for a real job instead he throws me 5-6 drug offers, feels like he wants to help me at the same time fk me over. Is that like him? Especially when i was specific about what i wanted.

 

[Ang3l]

Do you have a quote?

when working with the dead I always go to a cemetery to initiate contact

Hey. I asked if you consider Genius Loci in some cases to be spirits of the dead. I didn't say/mention you categorize them together.

classifying the Genius Loci as a participant of the dead..

I think spirits of the dead can be classified as Genius Loci. If I am right, Genius Loci translates as spirits of a place or something similar. I think some spirits of the dead are bound to different locations and they can be considered as some kind of Genius Loci. I know to what you are reffering when mentioning Genius Loci, spirits of a particular part of land. I am familiar with the Landwhights, spirits of Heavens, of Earth (Land), Water, of specific places outside, in nature.

 

[William66]

Yes I've worked with Bune. Mainly as a psychopomp for work with the dead. What would you like to know?

From your experience, what do Bune like for incense? I already bought "Bune" incense from docsolomons but i want to know what kind of incenses you when working with him, planning on doing full evocation upcoming day and hour of Venus.

 

[William66]

And other offerings besides incense?

 

[William66]

Should we open a thread about Bune evocations? Since i'm doing it i can start a topic, do you guys want that? I can also share my full experience with Bune, i have Done 6 full evocations which 2-3 of them was succsessful, 4 times was in the woods and 2 times last month in my room. He truly helps but hes familiar which he sent me is stubborn and wants me to evoke him inside the triangle, which is odd IMO. Ouija was the method of contact with his familiar(which i'm not sure if Bune sent him cuz he Said yes). Still fishy, could be a random spirit fkn with me, not first time and not the last through ouija tho.

 

[The God-King]

From your experience, what do Bune like for incense? I already bought "Bune" incense from docsolomons but i want to know what kind of incenses you when working with him, planning on doing full evocation upcoming day and hour of Venus.

I've always used Sandalwood with Bune but some practitioners who work with him use others like Jasmine and Musk.

 

[The God-King]

And other offerings besides incense?

If your able to achieve two-way communication this should b discussed with Bune. What he asks of me he may not ask if you. But in my experience Bune like food (mainly fruits) and wine.

 

[William66]

If your able to achieve two-way communication this should b discussed with Bune. What he asks of me he may not ask if you. But in my experience Bune like food (mainly fruits) and wine.

Thanks for the answer.
Just looked up what my Bune incense contains (Dragon’s Blood, cedar, benzoin, frankincense, sandalwood, storax, allspice, and patchouli).

 

[Keldan]

I perform anything in my bedroom, never somewhere else.

 

[motzfeldt]

Graveyards or forests.

 

[Firetree]

I did them in my temple ;

Looking back into the entrance door . ( The temple is made with bamboo , black building plastic, shadecloth and sand floor .

(unfortunately blurry , I had to copy them from an another place , where they were tiny ) .

 

[A.Nox]

I did them in my temple ;

Looking back into the entrance door . ( The temple is made with bamboo , black building plastic, shadecloth and sand floor .

(unfortunately blurry , I had to copy them from an another place , where they were tiny ) .

That actually looks really solid. I really like how you isolated the space – bamboo frame + black plastic + sand floor is kinda perfect for keeping the energy contained.
The layout of the lights and the central point is interesting too, it’s very clean and deliberate. Not many people on here build a full working space like that.Looks like you know exactly how you want the manifestation to move.
it’s cool to see a setup that’s actually functional.

 

[Firetree]

That actually looks really solid. I really like how you isolated the space – bamboo frame + black plastic + sand floor is kinda perfect for keeping the energy contained.
The layout of the lights and the central point is interesting too, it’s very clean and deliberate. Not many people on here build a full working space like that.Looks like you know exactly how you want the manifestation to move.
it’s cool to see a setup that’s actually functional.

It also served for many other rites for our group and also visiting groups at times .

The black plastic walls were a great 'unconscious innovation ' ( meaning that effects were realized later ) in that , if no specific background is there in dim lighting , it either 'fades off into the distance ' as well as allowing a 'blank imaginative screen' all around .

One classic remembrance was Fr . 'J's initiation ... just as he emerged from darkness into light , a huge near directly overhead lightening strike went off . Huge blinding white flash ...Man his face ! but then for about a minute all I could see was a reverse negative image on the black walls wherever I looked .... (Its still with me that image ) .

Another time, there was a flood and a few people stuck here for a few days , camped out in there . Sand floor and a central fire ( as the roof was vented for that purpose ), kept things warm and dry , we even dried out two tents and sleeping bags in one end .

As I said elsewhere , you could trace sigils in the sand , fill the little 'troughs' your finger made with spirit and set them alight - flaming sigils at night .

many a rite from Rites of Eleusis was performed in there as well . Initially the temple cost $200 to make ! - all black plastic, but later I replaced the roof with clear plastic and shadecloth , much lighter in there at daytime .

We had a massive party here ( my whole site ) once ' The Gods of Olympus' , fancy dress , come as a God/dess . Friend and I put a LOT of prep into that ; installations etc . Various areas and buildings were 'temples' for various Gods . He wanted to be Hades and made the temple into a 'journey through hell ' with various weird sculptures, installations , weird art ( like Goya's Saturn ) , hanging chains , etc . and when you got through that maze to the center , he had set his throne up there .


I also adapted the roof to be able to open with a system of pull ropes and weighted cantilevered bamboo roof joists - great at night time .

 

[A.Nox]

It also served for many other rites for our group and also visiting groups at times .

The black plastic walls were a great 'unconscious innovation ' ( meaning that effects were realized later ) in that , if no specific background is there in dim lighting , it either 'fades off into the distance ' as well as allowing a 'blank imaginative screen' all around .

One classic remembrance was Fr . 'J's initiation ... just as he emerged from darkness into light , a huge near directly overhead lightening strike went off . Huge blinding white flash ...Man his face ! but then for about a minute all I could see was a reverse negative image on the black walls wherever I looked .... (Its still with me that image ) .

Another time, there was a flood and a few people stuck here for a few days , camped out in there . Sand floor and a central fire ( as the roof was vented for that purpose ), kept things warm and dry , we even dried out two tents and sleeping bags in one end .

As I said elsewhere , you could trace sigils in the sand , fill the little 'troughs' your finger made with spirit and set them alight - flaming sigils at night .

many a rite from Rites of Eleusis was performed in there as well . Initially the temple cost $200 to make ! - all black plastic, but later I replaced the roof with clear plastic and shadecloth , much lighter in there at daytime .

We had a massive party here ( my whole site ) once ' The Gods of Olympus' , fancy dress , come as a God/dess . Friend and I put a LOT of prep into that ; installations etc . Various areas and buildings were 'temples' for various Gods . He wanted to be Hades and made the temple into a 'journey through hell ' with various weird sculptures, installations , weird art ( like Goya's Saturn ) , hanging chains , etc . and when you got through that maze to the center , he had set his throne up there .


I also adapted the roof to be able to open with a system of pull ropes and weighted cantilevered bamboo roof joists - great at night time .

That’s really fascinating to read.

The part about the flash and the ‘reverse negative’ image on the black walls really caught my attention — I can imagine how intense that must’ve been in that space, especially with the dark background acting like a screen.

It’s rare to hear about moments like that described so simply and without drama.
I appreciate you sharing it — shows how alive the place was, not just a static temple.
And the flaming sigils in sand at night… that’s honestly beautiful in a raw way.
Thanks for writing all of this, it’s really interesting to hear the practical stories behind the work

Post automatically merged: Yesterday at 3:03 AM

It also served for many other rites for our group and also visiting groups at times .

The black plastic walls were a great 'unconscious innovation ' ( meaning that effects were realized later ) in that , if no specific background is there in dim lighting , it either 'fades off into the distance ' as well as allowing a 'blank imaginative screen' all around .

One classic remembrance was Fr . 'J's initiation ... just as he emerged from darkness into light , a huge near directly overhead lightening strike went off . Huge blinding white flash ...Man his face ! but then for about a minute all I could see was a reverse negative image on the black walls wherever I looked .... (Its still with me that image ) .

Another time, there was a flood and a few people stuck here for a few days , camped out in there . Sand floor and a central fire ( as the roof was vented for that purpose ), kept things warm and dry , we even dried out two tents and sleeping bags in one end .

As I said elsewhere , you could trace sigils in the sand , fill the little 'troughs' your finger made with spirit and set them alight - flaming sigils at night .

many a rite from Rites of Eleusis was performed in there as well . Initially the temple cost $200 to make ! - all black plastic, but later I replaced the roof with clear plastic and shadecloth , much lighter in there at daytime .

We had a massive party here ( my whole site ) once ' The Gods of Olympus' , fancy dress , come as a God/dess . Friend and I put a LOT of prep into that ; installations etc . Various areas and buildings were 'temples' for various Gods . He wanted to be Hades and made the temple into a 'journey through hell ' with various weird sculptures, installations , weird art ( like Goya's Saturn ) , hanging chains , etc . and when you got through that maze to the center , he had set his throne up there .


I also adapted the roof to be able to open with a system of pull ropes and weighted cantilevered bamboo roof joists - great at night time .

That flash you mentioned — did it happen only that one time, or were there other moments in that space where lighting or visual effects behaved in unusual ways?

 

[Firetree]

We have a 'lightening season ' ( around now actually , pre wet season, when the bloodwood trees flower ), some days it can go OFF!

That was one day ... there were several close by but that was very close, charged and 'on que ' .

A couple of times , it 'came up' during a 'charging ritual ' ; holding an electrum bowl up and ka-pow ! The assistant bolted and later said 'I am out. This stuff is crazy, metal attracts electricity .. we could have been killed ! HA!

Although one time , I myself threw it in (making BD 501 * ) during the vortex stirring part .... got just TOO intense .

* 501 is made from crushed quartz rods .... quartz , lightening and 'dreaming tracks' are all related here .

Other times where visual effects in temple were like that ..... hmmm .... Not really , sometimes acted / symbolic scenarios seemed 'more than what was being enacted ' , but I think that was mostly due to the space being big and the effect of the dark walls ?

In the RItes of Eleusis we tried to mimic them with cheap home made effects and props . I used to call it tin can theater , after our candle in a tin can 'spot light' . (This was extra amusing to me as , I would also go away and work in the Aussie film industry where ; '' Okay , you can put up two more lights but do not spend more than an extra $10 G ! '')

another eg ; I was Sol in Sol Rite . Part of it is when I get speared on the cross in the side ???? how to do this ?

I did a drawing that was the shape of oozing running blood , cut it out and made a red material shape the same , rolled it up and attached it to the spear head with a slip knot and a string back to the handle . 'Satan-TYphon' speared me, pulled the string and the red marital unrolled down my chest and 'ran down' my white robe . In the dim lighting , people thought it was a blood capsule or something . (We tried using tomato ketchup when Vulcan got an ax in his head ... except everyone could smell that

 

[FireBorn]

I do my evocations/invocations in the living room, in my bedroom, in my yard on a tree stump, in the woods. I will do it in a church if I want to. The place has zero bearing on my practice. I am not limited like many others, so I dont need an elaborate setup to make contact.

I am the practitioner, the power is in ME not tools, not tables, not cloths and pictures. ME. I am the source.

Contact is everything, everything else is altar porn.

YMMV

 

[A.Nox]

We have a 'lightening season ' ( around now actually , pre wet season, when the bloodwood trees flower ), some days it can go OFF!

That was one day ... there were several close by but that was very close, charged and 'on que ' .

A couple of times , it 'came up' during a 'charging ritual ' ; holding an electrum bowl up and ka-pow ! The assistant bolted and later said 'I am out. This stuff is crazy, metal attracts electricity .. we could have been killed ! HA!

Although one time , I myself threw it in (making BD 501 * ) during the vortex stirring part .... got just TOO intense .

* 501 is made from crushed quartz rods .... quartz , lightening and 'dreaming tracks' are all related here .

Other times where visual effects in temple were like that ..... hmmm .... Not really , sometimes acted / symbolic scenarios seemed 'more than what was being enacted ' , but I think that was mostly due to the space being big and the effect of the dark walls ?

In the RItes of Eleusis we tried to mimic them with cheap home made effects and props . I used to call it tin can theater , after our candle in a tin can 'spot light' . (This was extra amusing to me as , I would also go away and work in the Aussie film industry where ; '' Okay , you can put up two more lights but do not spend more than an extra $10 G ! '')

another eg ; I was Sol in Sol Rite . Part of it is when I get speared on the cross in the side ???? how to do this ?

I did a drawing that was the shape of oozing running blood , cut it out and made a red material shape the same , rolled it up and attached it to the spear head with a slip knot and a string back to the handle . 'Satan-TYphon' speared me, pulled the string and the red marital unrolled down my chest and 'ran down' my white robe . In the dim lighting , people thought it was a blood capsule or something . (We tried using tomato ketchup when Vulcan got an ax in his head ... except everyone could smell that

The electrum bowl story made me laugh a bit, I had something kinda similar once with a metal tool during a charging phase.
It didn’t blow up or anything, but the timing was just… too perfect …

Do you think it’s more the local season/air charge over there, or the actual structure of the ritual itself?
Sometimes it feels like both things kinda amplify each other.