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New To Sigil Magik . Advice On Creating Sigils?

imowwiz

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I’m a semi new but not a novice occultist. At least that’s the label I give myself. I’ve worked intuitively with ritual and spell work but haven’t gone deep into study. Feeling a deep calling to utterly involving myself in the magik. I’d love some sources and a basic break down on how to make and utilize a sigil. I like to dive head first and go crazy, I’ll probably even work with a few tonight from my basic research. I would love to hear thoughts from other witches, magicians, alchemists, occultists, and other such working with the unseen. Thanks friends 🦐🖤🕯️
 

Robert Ramsay

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Until you get access to the library, have a go with the search function on the forum - there's several threads about sigils that will hopefully help you out. When you get library access, there's plenty of books - this one for example:

 

HoldAll

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What was so revolutionary about chaos sigil magic was not only its orientation towards practical real-life results but also the idea that you can create personal sigils yourself without having to rely on the traditional ones in ancient grimoires anymore. It gave magicians back their autonomy who now didn't have to follow strict formulae and recipes any longer and were encouraged to experiment instead. In fact, when you read the instructions in Liber Null & Psychonaut by Carroll or Practical Sigil Magic by Frater U.D., you'd be forgiven to suspect that the Sentence of Desire formulation => sigil creation process was some sort of Waldorf schoolchildren's game. A chaos sigil is what you want it to be and means what you want it to mean, and no one has the right to tell you otherwise. It's your personal creation, your baby.

Practicalities: my view is that a chaos magic sigil has to be impressive (= to yourself of course); I don't think much of sloppily drawn sigils. Some care should go into their creation, and you may have to discard several drafts until you end up with one you're satisfied with. Personally, I don't throw out the vowels because I like to reinforce the sigil with mantras constructed from the letters, and you'll need vowels for that. A sigil should be complex enough to disguise the underlying letters so that you won't be able to guess its meaning easily but the level of distortion, abstraction, etc. is solely up to you. You can even add symbols that have personal significance for you (I myself like using exclamation marks to denote urgency). Sometimes simplicity or symmetry is a good idea though, for example when you want to visualise your sigil while reciting the associated mantra.

Experimentation, however, means that you'll have to develop your own procedures without recourse to self-appointed 'authorities'. Some technical aspects of Carroll's original methods have come under question, e.g. his insistence that any thought of a sigil's purpose must be avoided at all costs - I think it's ok to remember one's desire but not the magical operation you performed to achieve it. Similarly, I somehow doubt the concept of the Psychic Censor but haven't made up my mind yet in this respect. But that's the idea of chaos magic, you make up your own rules and later maybe abandon some of them if they don't prove to be useful. Nevertheless, prepare for some rather sketchy results in the beginning, freedom to experiment also includes the freedom to fail.
 

ahathoor

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As @HoldAll mentioned, there's a lot that's been written on sigil magic, some better some worse... ultimately, my advice is you should remember what the purpose of a sigil is: to take a magical goal or idea, and crunch it down to a single thought you can hold in your mind with ease, and additionally carries a certain emotional charge. In traditional sigil magic, that single thought is a shape.

That shape needs to be simple enough so you can hold it; complex enough not to feel generic or samey; interesting / cool / strange enough to make you shiver a bit... It's literally a visual art. The technique was written up by Austin Osman Spare, who was an actual painter. Like any visual art, you'll be better at it if you stop overthinking. Trancework does help. "Letting go" helps even more. There are no hard rules.

Except that it has to be emotionally load-bearing. It really needs to be art. Like imagine trying to make sushi with a concrete brick... or a beautiful, sharp chef's knife. That's the difference between a bad sigil and a good one.

A sigil that feels impotent is impotent, regardless of how insane your "charging ritual" is or how well you've erased the original thought from your head (echoing @HoldAll I also don't think this is as important as AOS and Carroll posited, but if you can mentally deconstrict a sigil, you are unmaking it - it should be its own single thing, not a loose amalgamation of letters.)
 
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