The Arts and the Occult, and how they combine for you

[Sedim Haba]

This thread is inspired by recent discoveries here by many of us, that many Occultists are also Martial Artists.

What about the other Arts? Music, Dance, Visual Arts, et al.

I will say that most of these are part of me, but let others start.

(yes, I looked there isn't a thread like this, at least not one I could find)

 

[Lion]

This is what Perplexity (AI) said about Picasso and magic:

• In a well‑known recollection about seeing African ritual masks in the Trocadéro Museum, Picasso is quoted as saying that painting “is not an aesthetic process; it’s a form of magic that interposes itself between us and the hostile universe, a means of seizing power by imposing a form on our terrors as well as on our desires.”
• He linked this “magical” function directly to his artistic path, saying that once he understood art in this way, he had “found [his] path,” indicating that the magical or protective role of images was central to how he conceived his work.

Magical thinking and his art​

• Biographical analyses note that Picasso was deeply superstitious and “exhibited a deep belief in magic,” including fears that hair clippings could be used to control him, and that he felt his images had real effects on the people depicted.
• Commentators argue that he treated Cubist fragmentation and certain series (such as works around death or guilt) as having an almost ritual power to undo or transform fate, describing his art as a “magic means” to destroy or change reality.
  

 

[Sedim Haba]

Interesting. I must say that as a Shaman, I became quite fixated on my Altar. I never had an altar in my LIFE, and all of a sudden it's being built up naturally even, like an innate, intrinsically visual space that is part of my Path. It happened quite by itself. My Familiar was guiding me tho, so it wasn't ALL me.

Post automatically merged: Saturday at 7:23 PM

Oh, yes, the hair (and nail) clippings are in Magic domain since ancient times. He didn't invent that.

 

[Morell]

Anything you do can become an act of magic. You just have to make it to become one.

Sometimes I draw an art for occult intentions, artistic sigil, picture for the altar, or even as a ritual itself.

I also started hand-writing most of the days as concentration practice, after reading that it actually is very heathy for the brain.

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[Sedim Haba]

Yes, calligraphy and magic go hand-in-hand.

No one's mentioned music yet, drumming is part of my path, a focal point for meditation and awareness.

It's also ancient, the heartbeat brought out into the wider space.

 

[Ohana]

I like to dance and that kind of feels magical sometimes.

I enjoy dancing to electric swing music which is a new genre combining both the music of old with the new electric music. Its very fun to dance to.

There's also the fun game of Just Dance which with a group is pretty fun. Its the full expression of oneself and can be pretty athletic.

I also enjoyed jumping on a trampoline when I was younger and I got pretty good at doing flips and moving constantly. That felt kind of fun and magical at times.

The art of movement with the rhythm to music I think is underrated. I've heard there used to be dance halls and a lot more dancing back in the 1920s. It seems like a very fun time except for the oncoming doom of the stockmarket crash.

 

[therootbeersprite]

I consider myself an Art Witch. My spells are made manifest by the literal process of making.

Some examples of magic and art: To make a sigil, you must physically draw it (even if you do so digitally). I often make poppets, which involves fiber arts. A witch ladder is another common form of a spell that must be physically made. It is also common to literally carve runes and sigils, especially into wax such as candles.

Some may even argue that ritual is a performance art, though I am not pulled towards ritualism, so I can't speak much to it.

Post automatically merged: Sunday at 9:34 PM

I've heard there used to be dance halls and a lot more dancing back in the 1920s. It seems like a very fun time except for the oncoming doom of the stockmarket crash.

Dances and dance halls are still a thing, they're just not as much a part of the popular culture. If you know what type of dance you are looking for, it is easier to search it out. For example, contra dancing is very popular all over the United States, and I know some people who regularly go to Swing and LindyHop events.

 

[Ohana]

Yeah thank you. I'll probably try to go find those dance halls around my area then. I wish dancing was more a part of popular culture though.

To me dancing is like breathing. When I can't express myself and who I am through dance I get sad. Its hard to describe in words but the movement makes me feel like I can breathe again and get all the emotional and physical energy I have out.

 

[deci belle]

Conjuring the Creative is an act of recognizing intelligence in the object of one's attention, or else imbuing one's attention upon an object, or even an abstraction of potential in terms of an unknown probability one puts into a contextual field (of process), set up for staging effects by experimentation.

The Creative is not a concept nor is is a conceptual property; the staging effect is a net set up to witness the Creative itself.

Twenty years ago, before abandoning film (still and motion-picture photography), I would stage effects for experimentation that would result in atmospheric anomalies using 35mm chromes (transparencies). People would refer to them as works in color-field, or else surrealism. I never bracketed the exposures (where's the adventure in that?).

At any rate, that's what I would set-up for when "hunting for intelligence." The series was in a gallery for a few years on Canyon Road in Santa Fe, in what used to be Gormley's old store in the 40s and 50s.

The only other experience I have in occult practice in terms of "performance" (technical) artistry is in motion-picture photography when I was a focus-puller, most notably when the camera was mounted on a dolly on a set with chiaroscuro lighting, with both 16 and 35mm cameras and super-speed telephotos (separate feature productions). What was so uncanny is that (besides being magical experiences in the moment), the camera operator was always so sure that the shot came out perfect on the first take (back before the 1st AC had access to a camera-mounted video monitor). I remember that on those occasions, besides getting that magical feeling, I was never sure that I had nailed the pull (focus adjustment while camera was moving), but the operator was nevertheless absolutely certain. Oh, I loved film so.