- Joined
- Apr 27, 2026
- Messages
- 2
- Reaction score
- 2
Hello to everyone,
I am Timothy, someone who up until a year ago had not studied any of the hermetic arts or magical works, except for a very tiny bit of Wicca in the late 90s. I had noticed what I wondered were messages from somewhere, like the song "You Make Lovin' Fun" by Fleetwood Mac playing at odd times, the song Circle in the Sand playing at strange times, or certain things popping up. It was when I walked into a bookstore and facing the door was a book titled Living Magic, that I decided to go down the rabbit hole and see what everything had in store for me. Since thing, I've read several of Frater U.D.'s works, several of the works by Jason Miller, as well as several books on Chaos Magick, and most recently, Chicken Qabalah and Raziel's Interpretation. I'm a trained improvisational comedian, going to college for Information Security, and I love food, pc gaming, pop and 80s music and rock, cooking, and I run a small food blog called Kentuckyfriedfoodie, which sorely needs updating.
I am Timothy, someone who up until a year ago had not studied any of the hermetic arts or magical works, except for a very tiny bit of Wicca in the late 90s. I had noticed what I wondered were messages from somewhere, like the song "You Make Lovin' Fun" by Fleetwood Mac playing at odd times, the song Circle in the Sand playing at strange times, or certain things popping up. It was when I walked into a bookstore and facing the door was a book titled Living Magic, that I decided to go down the rabbit hole and see what everything had in store for me. Since thing, I've read several of Frater U.D.'s works, several of the works by Jason Miller, as well as several books on Chaos Magick, and most recently, Chicken Qabalah and Raziel's Interpretation. I'm a trained improvisational comedian, going to college for Information Security, and I love food, pc gaming, pop and 80s music and rock, cooking, and I run a small food blog called Kentuckyfriedfoodie, which sorely needs updating.
